Cool Metals: The Latest in Home Hardware

Silver toned metals read confidently cool in a provocative decor recently imagined by Alice Lane Interiors. Creative Director Jessica Bennett welcomes us inside the home and shares the secrets to using cool metals here and in other chic interiors she and her team create. 

Jessica Bennett

Take a look at some of today’s most compelling interiors and you may notice an uptick in the appearance of cool-toned metals and finishes. Jessica Bennett and Suzanne Hall—celebrated designers and hosts of our fave podcast Dear Alice—recently responded to a client’s “no brass or gold” directive for her contemporary decor. They chose cool metallics to deliver style and sparkle that make the spaces really shine. We were instantly wowed, so we asked Bennett about these materials and finishes and to share the ways she and her team used them to elevate the style of this and other projects that are undeniably cool.

  “We have been seeing the cool metal tones pop up and dominate the fashion industry for at least 3 years now, and we knew it would carry over into interiors,” says Bennett. Citing patent chrome purses by Coach, alien-like futuristic sunglass shapes and blades, all things Kardashian and even chrome-toned fingernails, she explains, “The coolest of the cool have been at it for years.” Cool metals have a clean, modern feel that can help drive retro or vintage modern style. “Think of all of the beautiful vintage Ralph Lauren cars, crystal chandeliers, silvered mirrors,” she exclaims. “And with no yellow or golden tones, they never really feel old.”

HIT THE HOOD

“I always love a range hood in nickel,” says Bennett. “It feels more culinary, and I love the sheen of it against a paint grade or stain grade kitchen.” Above, a head-turning hood makes a bold statement with its organic, polished nickel form cuffed in blackened nickel.

MAKE AN IMPACT  

Bennett has a simple strategy for creating the biggest impact when layering eye-catching elements like cool metals into a space. “Start by layering them at eye level, “she advises. “You’ll get extra credit for them.” High-flying chandeliers, for example, may not instantly catch your attention, but lamps, table-top accessories and other mid-level additions make an immediate impression. In the home’s library, Bennett and her team used framed art, a swing-arm sconce and a nickel-and-lucite table base to place shots of shimmering cool metallics front and center.

MIX IT IN

Yes, you can—and should—mix metals, contends Bennett. “Not leaning too hard in any one direction keeps the home feeling beautiful no matter the current trend,” she says. And for those not ready to commit to cool metals, Bennett advises easing in gradually. “Introduce them slowly. Once you start having an eye for it, you’ll be confident to do more.” These homeowners shunned brass and gold finishes, but the Alice Lane design team snuck in brass C tables and a gold-handled tray to counter—and complement—the living room’s sleek steel-framed chair and ottoman and, across the room, an arced chrome floor lamp.

THINK BEYOND METAL

There are many ways to introduce a glimmering metallic look beyond metals. Bennett includes mirrors, silver leafed ceilings, mercury glass lighting, wallcoverings and platinum-finished furnishings among them. She and her team dressed the home’s two-story stairway wall with a composition of vertical mirrors that reflect light while doubling the visual impact of the stunning, nickel-accented glass railing.  

  HIT THE HARDWARE

“I see the nickel, silvered and chrome finishes in an edited, chic way,” says Bennett, who turns to “all-things hardware” from drapery rods and doorknobs to plumbing suites, door hinges and cabinetry hardware to showcase these cool materials. Discreet ledge pulls, plumbing fixtures and even the window cranks shimmer in cool nickel, delivering  jewelry-like accents to the streamlined kitchen.

CHILL IN COMFORT  

“If comfort and warmth is the goal, using the right colors with your metals will give you those feelings, as will adding natural light, living finishes, patterns and textures,” says Bennett. In the dining room, nickel-finished chairs deliver a dash of reflective decadence to the stand-out space, while the thick rug, cascading-chain chandelier and live-edge wood table top inject soothing texture and materiality.\

  WORK IT IN

Look to the home’s hardest working spaces for adding cool-metal magic. “Because we use the metals primarily in kitchens and baths, we pair them with the finest finishes in the home,” Bennett says. Think marble, wood finishes, mirrors, lighting’s glass crystals and more. “Nickel just shines against all of those gorgeous natural living finishes.”   

Want more expert tips on utilizing these finishes? Read up on Bennett’s take on nickel vs chrome.

Stylemakers Spring 2024: Brian Geer Development and Construction

Want the recipe for a stunning home? Blend new ideas with timeless and elegant architecture and choose a site that takes your breath away. That’s the recipe Brian Geer uses in his work every day. He has earned his reputation for building quality homes by being upfront, honest, transparent and trustworthy.

Geer’s homes intentionally celebrate the breathtaking beauty of each setting, optimize views and drawing inspiration from natural landscapes. “Let your natural surroundings inspire every element of your design,” says Geer. â€śEvery detail—from how the home is situated on a carefully chosen lot to the layout, design and materials—should showcase and reflect the spectacular landscapes that make southwest Utah so special.”

A master builder of custom luxury homes, Geer creates stunning, welcoming and personal spaces. Every detail reflects the cooperative vision of the homeowner and builder, and is backed by more than 45 years of highly respected quality craftsmanship. Just a few reasons Home Builder Digest voted him the second best Custom Home Builder in Utah in 2017.

2295 Santa Clara Dr., Ste A, Santa Clara

435-656-1185

briangeerconstruction.com

“It’s important to trust who you choose to build your custom home. You’re not just building a home; you’re building a relationship. Make the right choice from the start by finding a person you get along with.”

– Brian Geer, Owner and Builder

Ask the Expert

Three words that best describe your business:

Personality. Honesty. Quality.

What are you best known for?

Building homes that are in harmony with the natural environment. We make the most of the lot and create homes that offer expansive window spaces, inspiring sightlines and a seamless flow from interior to outdoor living spaces.

What sets your work apart?

Quality, quality, quality. We build upper-end custom homes, not spec homes. So, each home is built precisely for the client. I give people what they spend their money on—a place that meets their needs and exceeds their expectations.

Browse the rest of this season’s Stylemakers here.

Style File: Spring Fling

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Harlequin X Sophie Robinson, to the trade, John Brooks Inc., SLC,

We’ve all flirted with color, but British designer Sophie Robinson suggests a passionate fling. And while you’re at it, pull pattern into the love fest. Collaborating with Harlequin, Robinson has created an exuberant, fantasy-filled fabric and wallpaper collection, fueled by her unbridled love for color and inspired by her own woodland garden. With this collection, Robinson presents a masterclass of fearless pattern mixing, with diversely scaled designs ranging from the fantastical to the abstract, joined by geometrics that help fashion the visual harmony every space deserves.

johnbrooksinc.com


House Tour: A Bountiful Master Craft by Altalux Studio

Altalux Studio, led by principal John Eyring, creates a generational gathering place in the hills of Bountiful, showcasing a portfolio of local artisanship and world-class talent

INTERIOR PHOTOS BY LINDSAY SALAZAR

LANDSCAPE PHOTOS BY MIKKI PLATT

PHOTO STYLING BY NOELLE WRIGHT

It’s no secret that Utah punches above its weight when it comes to talented designers and show-stopping homes, but I’m always amazed by the quantity and quality of Utah’s own world-class craftspeople who make the dreams of designers and their clients a reality. The Beehive State is aptly named, given the hard work, ingenuity and artistry of its talented makers. 

When my team at Altalux Studio and I were faced with the update of a 45-year-old tract home in Bountiful, I knew Utah craftspeople would be the key to our transforming the old house into a haven where our clients could gracefully age in place and invite generations of family to comfortably gather and stay. We assembled artisans who understood our vision of all that was possible, and in spite of the home’s compact footprint, chopped up rooms and aging structure, they didn’t rest until the vision became a reality. 

The challenges began inside the front door. The entry was cramped and anchored by a dominant stairwell that needed a significant update. Beyond it, many rooms needed to be combined and reconfigured to allow as much natural light into the home as possible.

I’ve long admired the work of JLR Architectural Woodwork, celebrated for their exquisite finish work at Grand America Hotel and other prominent buildings, so I knew they could architecturally elevate this core area with millwork while maintaining distinct transitions between its elements. Their installers worked like rock climbers, dotting the double-height stairway and other spaces with hundreds of multi-colored shims until each raised panel, column and coffer was perfectly plumb. To draw clean lines across complicated transition points in the stairway millwork, we designed solid brass handrails and had them fabricated by Historical Arts and Casting—a Utah company trusted with cast metal ornamentation projects from the U.S. Capitol dome to New York’s Grand Central Terminal. Their masterful work continued in the kitchen, where brass strapping beautifully protects the bases of kitchen cabinets, showcasing a unique method of miter scoring the brass at each corner to avoid visible joints. 

Natural light floods the kitchen, thanks to the careful engineering and expert craftsmanship of contractor Robert Day. A stone and brass-banded hood hangs over a collection of copper cookware on a pot rack by Ann Morris. A pair of Waterstone faucets stand over a 48” workstation sink designed by Altalux to stack cutting boards, baking sheets and other accessories on two levels, above the mess in the bottom of the sink. European Marble and Granite crafted several mockups of the counter edge to reflect the curve of the range hood.

Lighting is a fundamental part of our projects’ designs, and this home was no exception. To accentuate its architectural detail and strong focal points, we integrated a series of in-ceiling projectors to precisely illuminate wall art. Designed by Troy and Sandra Seaton, of Optiks Fine Lighting, the projectors have only a silver-dollar-sized aperture visible on the ceiling. Troy hand-files a copper die and places it between the bulb and lens to focus light only on the canvas, creating nearly an illusion of backlighting. Although his work typically takes him to far flung locations, he’s quick to say, “I love the chance to come home and work on the interesting and challenging projects going on here in Utah.” 


A coffered vaulted ceiling crowns the primary bedroom, while an opalescent Venetian plaster created and applied by artist Alycin Wright gives the walls an elegant glow. 

We also set the primary bedroom aglow with an opalescent Venetian plaster that softens the tall walls crowned by a high, vaulted ceiling. Artist Alycin Wright loosely troweled together a custom blend of minerals and lime, and applied it as if painting a fresco. The result is an ethereal, cloud-like effect that slowly shifts throughout the day as windows and skylights flood the room with light.


The living room converts into a large dining room, courtesy of the clever design and combination of custom tables and seating. 

To accommodate our clients’ guests, we needed to conceive places for up to 50 people to sit simultaneously at proper tables and chairs. We designed a complete set of convertible living room furniture pieces, and turned to Aaron Carter of AWCarter Furnitureworks in Mount Pleasant to fabricate them. Aaron’s team brainstormed and experimented before developing the hinges, springs and latches that allow individual occasional tables to be grouped and transformed into an 18-person dining table in less than seven minutes. Michael Trent Coates, one of the best kept secrets of celebrity designers across the country, perfectly scaled the upholstered benches and chairs to sit at dining height and to comfortably surround the large table in multiple configurations. He also built a crowd-pleasing banquette for the kitchen. With its brass-wrapped stretchers and a counter-height table featuring multiple footrests, it fosters long conversations and relaxed game nights. 

The artistry doesn’t stop inside the home. Garden designer Emily Brooks Wayment brilliantly channeled our clients’ love of Filoli House in Northern California and miraculously adapted it for a Utah climate. Emily designed a garden view from every window and redeveloped each porch to provide sitting areas and private access to serene spaces throughout the yard. She also hand-selected each plant on scouting trips to dozens of nurseries across the West, using many specimens cultivated specifically for her.

The final result is not just a beautifully orchestrated retreat that generations of our clients’ family can call home, but also an ode to the master craftsmen who brought it back to life.

Stylemakers Spring 2024: Bartile

Photo courtesy of Bartile

When it comes to adding pizzazz to your home, a roof may not be the first thing that comes to mind. Think again. A well-made roof is more than shelter, it adds value to your home. And a customized Bartile roof speaks volumes about who you are. 

“At Bartile, we custom craft each order according to designers’ or homeowners’ specific requests,” says Nick Evans, general manager. “We have more than 700 custom colors and 20 different styles and options, so we can literally create anything. The options are endless.” If you can imagine it, Bartile can create it. 

To add depth and dimension, opt for a multi-colored roof. “We take different color batches of tiles and blend them into a really interesting and beautiful palette,” says Evans. “We can match clay roofs that have drastic color ranges, so you can create something beautiful, unique and durable—and more affordable.”

Bartile has been perfecting the art of premium roof tiles in northern Utah for 82 years. “My grandfather started this business in 1942,” says Evans. “Some of the roofs we built that first year are still in place.”

725 N. 1000 West, Centerville

801-295-3443

bartile.com

Instagram @bartileroofs

“These roofs last a lifetime. The lifespan of a Bartile roof is four times longer than the best asphalt shingle on the market and our tiles far surpass a class-A fire rating and have a 75-year warranty. Some styles even have a class-4 hail rating. Our eco-friendly roofs last 75–100 years and, when it’s time to replace them, we can recycle every material.”

– Nick Evans, General Manager

Ask the Expert

What are you best known for?

Custom crafting every order. Every single order is made specifically for each client. Most of what we do is custom color and custom design, and we’re known across the nation for the unique and creative results.

What is your signature product?

Our New England slate is our best seller by far. With our metal gabled finish options, our tiles not only have a slate look, but when raked with a straight brush, they have a great shake look as well. We can help you create a wood shake or real slate look at a fraction of the cost and without the fire hazard or maintenance issues of wood or stone.

What sets your work apart?

No matter what look you’re trying to achieve, we can provide it. Whether you want a nice clean wood shake or slate, mission style or clay tile, bring in paint samples or pictures you love and we’ll make it for you.

Browse the rest of this season’s Stylemakers here.

Photo Friday: Another Day at the Shore

A beach town’s corner cottage at the Jersey Shore makes for a delightful spring break getaway.

This week I’m going to again tempt you to go east for spring break. Manasquan, New Jersey, is located along the Intercoastal Waterway and the Atlantic Ocean. Its origins are a summer escape from New York City for families. It was close enough for the family breadwinner to travel by rail up to the city during the workweek. 

The site is a long narrow corner lot just a few blocks from the water. The design maximized the street views to the street side and front and minimized windows on the side closely abutting the neighbors. Essentially, the home is only one room wide.

Tom Bateman of Imagineered Homes in Manasquan collaborated on the home’s design, constructed it, and selected the interior colors, finishes, furnishings, and some accessories.

The deep porch is comfortably furnished to extend the living space outdoors while offering a welcoming entry.

The front door opens to the living room. The white of the board-and-batten paneled walls and the beamed ceiling help the room to feel larger and sets off the colorful Maine Cottage furnishings. The model ships and oars used as curtain rods serve as a reminder of the seaside location. 

The dining area sits in front of the bay windows. A pale-yellow trestle table is surrounded by brightly colored Windsor chairs and a bench. The floorboards are painted a deep green on this level. An efficient galley kitchen is to the right of the dining area. In the distance is the entry to a guest suite that was added to accommodate a family member who could not manage stairs.

The guest suite has its own sitting area.

The pine-paneled guest suite bedroom has a Caribbean flair with its mango and tangerine accent colors. 

Upstairs, the floors are painted a lustrous red shade, as seen in this bedroom.

By the landing on the second floor is some found space turned to home office. It seems now that home office space is essential for every home. 

The primary bedroom is upstairs at the front of the home and extends the full width of the narrow home. As in most of the home, the furnishings and rugs are by Maine Cottage.

This is another home I enjoyed photographing because the use of the space is so well-considered. I also appreciate how color makes the home so lively and memorable. 

See more galleries from Scot Zimmerman here.

April Gardening Checklist

April garden checklist

Get your garden spring-ready with these tips from the landscape and horticulture specialists at USU Extension. For more tips, visit Utah State University Gardeners’ Almanac Monthly Gardening Checklists.

  • Plant seeds of cool-season vegetables (peas, lettuce, spinach, radishes) as soon as garden soil is workable.
  • Control young garden weeds by hoeing or hand-pulling.
  • Protect fruit blossoms and tender garden plants from late critical freezing temperatures.
  • If storing bulbs, check to make sure they are firm, and remove any that are soft or rotten.
  • Wait to prune roses until buds begin to swell to avoid late-frost damage to new growth.
  • Prune spring flowering shrubs (those that bloom before June) after they have bloomed to encourage new flower buds for next season.
  • Divide crowded, fall-blooming perennials.
  • Divide cool-season ornamental grasses when new growth begins to emerge.
  • Use organic mulches (wood chips or bark) to retain soil moisture around shrubs and trees.
  • In compacted sites, aerate with a hollow core aerator when turfgrass is actively growing, usually from April to June.
  • Apply pre-emergent herbicides in late March to mid-April to control annual weeds in the lawn, such as crabgrass.
  • Check your sprinkler system for leaks. Clean filters, and fix and align heads.

Save this April Garden Checklist graphic to check off each task in your own garden:

Featured image courtesy of Irina Iriser via Unsplash.

Inside Emily Jackson’s Timeless Alpine Home, Designed by The Fox Group

timeless
Emily and Taylor Jackson’s new Alpine home was designed and built by The Fox Group and is surrounded by mountain and valley views. Inspired by manors of the English countryside, its shingle-clad exterior is complemented by copper gutters as well as chimneys and a porte-cochère formed from stone.

When a view lot in Alpine beckoned, fashionista Emily Jackson and her family turned to Tom and Cara Fox to design a new home with timeless style and lux livability. Inspired by manors of the English countryside, its shingle-clad exterior is complemented by copper gutters as well as chimneys and a porte-cochere formed from stone. Front landscaping (above) by Posies & Co.

Exuberant maximalism has its place, but it isn’t in Emily Jackson’s new house. The same goes for distilled modernism. “I have four kids and run a multi-million dollar business, so I needed our house to be calm and comforting,” says Emily, fashion and fitness influencer and the founder/creative director of IVL Collective, a premium activewear brand. 

timeless
Interior designer Cara Fox (left) with homeowner Emily Jackson.

Five years ago, Emily tired of the house where she and husband Taylor were raising their young family, so she searched for a lot in Alpine where the couple could build a new home. “I love the area and wanted to be in the mountains,” she explains. Emily struck gold when she found a hillside double lot overlooking the valley and surrounding peaks. Initially, Taylor resisted the idea of moving, but Emily knew this site would be a game changer. “He’s a sucker for a beautiful view,” she laughs. A nearby trailhead also seduced the couple, who are avid trail runners. “Nothing is better than being able to cross the street and be in the mountains,” she says.

Beneath the living room’s soaring barrel ceiling, a hand-painted Gracie wallpaper on a burnished metallic ground reflects glorious light flowing through an arched wall of windows. Designer Cara Fox chose vertical tongue-and-groove paneling and a cast limestone mantelpiece to dress the anchoring fireplace. The chaise is from Oly Studio and the rug is from King’s House.

The Jacksons tapped Tom and Cara Fox to design their family’s new home, a decision that came easily. “I love their East Coast, Connecticut vibe. And when we met, it was a perfect fit,” says Emily, who hired Drew Parcell to build the house.

Large banks of windows flood the kitchen and adjoining pantry with views and natural light. The 12-foot-high diamond coffered ceilings, fineline paneled walls and herringbone-patterned hardwood floors exude a sense of luxury and English charm, while the artfully crafted marble hood and waterfall-style island deliver a modern edge. The plumbing is by Waterstone Faucets, the lighting is by Visual Comfort and the custom cabinets are crafted by Christopher Scott Cabinetry.

The Fox Group, known for creating timeless heritage homes, is a simpatico choice for clients craving fresh, classic style. Count Emily among them. “I wanted a traditional home that’s timeless with nothing too trendy,” she explains. But, interior designer Cara adds, Emily also fancied a sense of sophisticated glamor and modern luxury. “Think Ralph Lauren, Victoria Hagen and the grand manors of the English countryside,” Cara says.

timeless
A view-laden bay window hugs the dining area’s round table and chairs by Chaddock. The cushion upholstery is by Schumacher, and the Marie Flanigan Menil chandelier is from Visual Comfort.

Bringing this fresh traditional style to the Alpine setting with a large, shingle-clad home could have been tricky, but The Fox Group made all the right moves. Tom fashioned timeless architecture defined by calming symmetry and classically proportioned features, including windows, gables and overhangs. To foster the dwelling’s refined-yet-relaxed style, he incorporated white-painted railings, copper gutters and local stone that forms multiple chimneys and a large porte-cochère. Even the landscape’s curved lines and a lack of stately stairs leading to the front door fend off a sense of buttoned-up formality or drama. “We used classic proportions and elements on the outside and saved the more dramatic moments for inside the home,” Cara says. 

The interior, like the facade, reflects a sense of classic elegance and showcases masterful architectural elements including coffered ceilings, custom paneling and oversized elements befitting the home’s generous scale. The massive three-story foyer, a must-have for Emily, features elegantly paneled walls, a wrap-around staircase and a black-and-white checkered marble floor. “It’s an amazing walk-in moment,” Cara observes. It also provides a striking backdrop for photos of Emily’s activewear and product campaigns. 

The foyer’s white paneled walls are the ideal foil for a grand staircase that wraps around the enormous three-story space constructed by Drew Parcell. Scale played a crucial part in creating the massive room, and Cara chose oversized furnishings, lanterns and black-and-white marble floor tiles to foster its glamorous, classic style.

The grand foyer opens to the equally astounding living room, defined by an enormous window wall, soaring barrel ceiling and exquisite Gracie wallpaper. “I knew that I wanted the flow of a huge entry that leads to the living room with doors opening to the backyard,” Emily says. “And Tom nailed it.” The configuration allows the Jacksons to entertain on a large scale while being able to close off their family’s more private rooms and spaces, which can’t be seen from the entry. Emily explains, “Our old house had an open floor plan that let people see much of the house from the front door, and I didn’t want that here.” 

timeless
In the two-story powder room, light emanating from the window makes the trim and ceiling’s high-gloss paint gleam. Cara color matched the custom hue with the room’s Gucci wallpaper. “It’s like a little jewel box,” she says. The room’s built-ins are by Christopher Scott Cabinetry and the lighting is from Visual Comfort.
Located off the entry, Taylor’s office is decidedly dark and moody. A soaring ceiling and large windows add to the space’s appeal.

Down the hall and out of sight from the entry is the family hub gifted with generous, 12-foot ceilings and loads of natural light. The open space combines a chic kitchen, a relaxed family room and a casual dining spot hugged by a bay of floor-to-ceiling windows. “I didn’t want a formal dining room that we’d never use,” Emily explains. 

Beneath the primary bathroom’s vaulted ceiling, a large mirror hangs in front of a bank of windows that flood the marble-dressed space with profuse light. Cabinets are by Christopher Scott Cabinetry, the draperies were fashioned by Uptown Drapes and the chandeliers are by Visual Comfort.

Throughout the house, you’d be hard-pressed to find a plain surface. “I hate drywall because it feels cold,” Emily explains. Cara and Tom responded with walls and ceilings masterfully detailed in everything from classic moldings and tongue-and-groove paneling to coffers and jaw-dropping wallcoverings. The interior’s harmonious palette primarily leans to warm whites and neutral tones that satisfy Emily’s desire for serenity, yet Cara punctuated it with shots of color—mostly blues—“for added interest.” The powder room, for example, gleams with vivid teal trim that the designer color-matched to Gucci wallpaper. Taylor’s two-story office flaunts moody blue walls and the butler’s pantry is a celebration of head-to-toe navy built-ins that nod to the dark-blue front door painted in Benjamin Moore’s Raccoon Fur. “A thread of blue weaves throughout the home,” Cara says. 

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With its vaulted ceiling, vertical tongue-and-groove paneling, marble fireplace and soothing neutral tones, the spacious primary bedroom invites luxurious repose for the whole clan. “It’s like our second family room,” says homeowner Emily Jackson. The bed is from Oly Studio, and the bedding is by Annie Selkes.
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A trio of muralpaper wall panels by artist Susan Harter deliver calming color and nature scenes to the bedroom.

Truth is, there are so many things to obsess over in the home. There’s the exaggerated scale that contributes to its sense of glamor and luxury. There’s the hillside location that affords breathtaking views from nearly every window strategically positioned in the time-honored architecture. There’s the mix of lux materials—elegant marble, herringbone-patterned hardwood, cast limestone and hand-painted wallpapers—that elevate the decor. And there’s the abundance of fixtures, furnishings and unexpected details that foster the fresh take on tradition for which The Fox Group is known. For Emily, the house is much greater than the sum of its parts. “I love this house,” she says. “It’s everything I hoped that it would be—and more.”  

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Painted a deep shade of navy blue, the eye-catching butler’s pantry boasts built-ins loaded with storage and open shelving. The black-and-white checkered marble floor mimics that of the entry, strengthening a sense of continuity throughout the decor.
Monogrammed knobs personalize the L’Atelier range. Marble is cut into a uniquely shaped backsplash that supports a narrow shelf upon which small oil paintings are displayed above the cooktop.

Photos by Lindsay Salazar


SOURCES

Photography by Lindsay Salazar, lindsaysalazar.com

Interior Design and Architecture: Tom and Cara Fox, The Fox Group, thefoxgroup.com

Contractor: Drew Parcell, @drewparcell

Landscaping: Posies & Co., @posiesandco

Cabinetry: C.S. Cabinetry and Design, christopherscottcabinetry.com

Draperies: Uptown Drapes, uptowndrapes.com

Editor’s Note Spring 2024: Do the Do

Is there any season as pushy as spring? Like an alarm clock, it jolts us from winter’s state of serenity and slumber, propelling us into a world of activity. Look around. It feels like everyone is renewing, remodeling or refreshing. We’re here for it. This issue celebrates the desire to do, and there’s inspiration everywhere. 

Utah Style and Design Editor Brad See

Whether it’s on fashion runways or in high-style rooms, springtime flirts with a little more leg, brighter colors and lots of attitude. This issue’s cover captures this fun-loving spirit, as designer Cara Fox and her fashionista client Emily Jackson strike a pose. Jackson’s Alpine home is a statement of calming classic style punctuated with the theatrics of dazzling Gracie and Gucci wallcoverings, checkered marble floors, breathtaking window walls and a mix of blue tones threaded throughout (page 98). “Of course, we had to add some dramatic moments,” Fox explains. 

Designer Jessica Bennett’s response to a client’s “no-gold” directive is equally enthralling. Cool metals and icy finishes gleam throughout the renewed decor (page 84). “I see the nickel, silvered and chrome finishes in an edited, chic way,” Bennett says. And she delivers. So does Brit designer Sophie Robinson, whose delightful new collection of exuberant fabrics and wallpapers was influenced by her English garden and love of color (page 29). Fair warning: It’s practically impossible not to smile when you see it. The same goes for Katherine Chandler and Jeffrey Sherlock’s new modern home, where the Golden Gate Bridge and a Moroccan house inspired bright red doors and vibrant Majorelle blue cabinets (page 128). “I’m obsessed with bright colors,” Katherine confesses. 

Similarly compelling are three featured remodels: Designer Andrea West turns a dark and dated kitchen on its head, making it a light-filled, function-forward space teeming with style—and ideas to steal (page 70). Designer John Eyring generously nods to many of Utah’s talented craftspeople as they help him transform a tired Bountiful residence into an elegant home dressed with classic charm and contemporary allure (page 118). And beneath the shadow of Mt. Olympus in SLC, designer Doug Smith leads the meticulous restoration of a historically significant and strikingly modern home designed by renowned Utah architect John Sugden (page 108). 

We created this issue to inspire and possibly prompt a boost of your own spaces, whether through a little finessing or a complete overhaul. Now it’s your turn. Spring has arrived and it’s time to do.

Browse the Spring 2024 issue here.

Photo Friday: Spring Break at the Shore

The Jersey Shore isn’t the first place Westerners may think of as a spring travel destination, but I can recommend it. 

Spring several years ago found me at the Jersey Shore in the beach town of Manasquan, New Jersey, where I stayed as a guest of the owner of this beach cottage. In its tall, pastel elegance, the home gracefully looks out to the water as seabirds fly overhead.

Cottages and small homes are a great subject for architectural photography because they tell the story of the extensive planning and problem solving that goes into them. At the coast, they are in a beautiful and often densely built locations where aesthetics in design and the street and neighborhood presence take on increased importance. To make the small space work, consideration is given to efficiency and priorities, plus there are challenges in making the home feel open and uncluttered. 

This new home was built after a family home in Manasquan was destroyed by Hurricane Sandy in 2012. The site is a confined and narrow by-passed lot. Anticipating future storms and surges, the house is essentially elevated on stilts over a garage, and the garage walls have openings between the horizontal boards to allow storm water to flow through and leave the living area above undamaged if there is another tropical storm or hurricane.

Tom Bateman of Imagineered Homes built this home, and he assumes a full-service role where he works with the architect on the dimensions, design, and details; builds the home; selects and mixes the paint colors; and specifies and orders the furnishings and sometimes the art. In this view, the living area of the home is clustered at the front of the home with views to the water. The furnishings mimic the exterior colors of the home but in more pastel shades. Most furnishings are from Maine Cottage. 

The living, dining, and kitchen are arranged in an open plan. Capturing the natural light and reflecting it within the space was a concern. The ceiling and woodwork are white, and the board floor is pale. The color palette is derived from Maine Cottage colors, but colors are mixed with additional white. 

There is a playfulness to the design exemplified by mixing lavender and green chairs. Small touches like painting the hardware of the schoolhouse lights white maintain simplicity. 

The primary bedroom is on the main level to the rear of the home. 

Upstairs feels like a leap into the sky. There is a den with a television and furniture that folds out for guests, and at the end of the hall you see the sunny yellow of the guest room.

The upstairs guest room has a partial wall where two loveseat sofas face each other next to the window. These sofas fold out to sleepers for the guests’ children. 

At the rear of the home, wicker pieces furnish a patio area that is covered by the overhanging home—truly found space on a lot without other options. In this photograph it is easier to see the gaps between boards of the garage that allow water to flow through in the event of tidal surges. You can also see the substantial supporting beams.

I am often asked if I have a favorite home that I have photographed. I could never narrow it down to just one, but I would say that this is one of my favorites. And why? It was the feeling inside the home: breezes from the open windows, playful light because of the active coastal skies, and a sense of peaceful whimsy from the colors. I felt like I was on vacation, far away from home and any concerns, and in a very special place. 

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